My fascination for the subject began six years ago when I found a book about Moscow, published in the 60s, in a thrift-shop. It presented an entirely alien reality and thus sparked my curiosity. I wanted to understand the atmosphere of the photographs, learn more about daily life in the USSR and observe to what degree the book was a genuine reflection of reality.
There is a desire to know where we come from. In itself, this is nothing new, nor is it symptomatic for the times we live in. How we tend to that desire, however, has changed significantly. In the quest for our heritage and the attempts to decipher our histories, the applied methods seamlessly dovetail with society’s shift towards individualisation. In the vain hope to achieve kinship, to discover our origins and a sense of belonging, we send out our DNA in order to attach personal truths to a test result.
An introduction through the work of Cindy Moorman Photos taken during the exhibition at Dapiran Art Project Space Anonymity emerges as visual abundance in the exhibition space of Dapiran. The walls are strewn with